Showing posts with label Smithsonian. Show all posts
Showing posts with label Smithsonian. Show all posts

Thursday, March 24, 2011

Legal Issues of Museum Administration

The good folks at ALI-ABA awarded a scholarship to attend Legal Issues in Museum Administration, three days on the ethics, policy, and legal issues facing museum registrars, CEOs, boards, and legal counsels. Of course, lawyers expect the rich intellectual rigor of this presentation style and supporting material, but I am in awe.


It is old school, yeah, but when you get Lawrence Berger, PMA, and Frederick Strober, Saul Ewing, LLP engaging in legal theater over Joint Ownership Agreements of Collections, mesmerizing. Not kidding. Another long tradition are the case studies created by one brilliant lawyer and then dissected by a couple of others -- sometimes funny, sometimes surprising, always real.


There are legislation and litigation updates, presentations on the questions presented to the courts and to the practitioners over the year. One federal registrar was told this year by her overly cautious and misinformed supervisor that she would no longer be allowed to electronically record artists birth date or phone number because of new privacy laws! Now there another one for annals!


The time includes serious consideration about endowment management, healthy tensions between board and management, negotiating artists rights, conflict of interest and other governance policies, special collections, managing problem gifts, and gift acceptance policies.


While at the conference, my twitter feed delivered Historically Hardcore, the latest Smithsonian copyright infringement. The SI lawyers had already sent the cease demands but the funny ad campaign by a student had already gone viral. Check it out.


The image above is of the Kogod Courtyard at the Smithsonian Art Museum and National Portrait Gallery where a conference reception was held. Second night were were at the Phillips Collection. Both spectacular receptions.




Sunday, January 16, 2011

Layered Links to Museum Exhibits


Reading Patti Smith's Just Kids I am reminded of the tiny slice I know about my icons or probably anything. Yes, she is the Mother of Punk Rock, but who knew she was Robert Mapplethorpe's lover, muse, lifelong friend and creative consort? Just Kids won the National Book Awards for nonfiction. In it, she recounts the story of two fragile souls who cling to one another as they wonder who they will become, encouraging it to happen, pledging each other support. Who knew Patti Smith as poet with a narrative mastery of grace and power, sweetness and calm?


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Patti Smith by Robert Mapplethorpe, 1975



By chance this week, I discovered that Felix Angel, an admired arts administrator and colleague from the Inter-American Development Bank is also one of Columbia's renowned creative exports.


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Joanne McNeil's blog post of 12/31/2010 Tomorrow Museum provides a lively history of blogging and predicts that in 2011 posts will be longer than three-ish paragraphs recommended by current Internet gurus, if one has something fresh to say.




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This leads me to reflect on the long form of museum exhibitions and recommend one in DC now: Human Origins at the Smithsonian Institutions' National Museum of Natural History. The exhibit attempts to ask the questions: What does it mean to be human? On the rich website, you will see what a big institution like NMNH can do for a wide public. The site provides curriculum for school teacher and home-schoolers and teacher network projects. There is an interactive floor plan, information about related research projects, maps, images of fossil collections and information about them. The curators have held back nothing.


At the museum, look past the bio-mass of living humans milling through the giant hall, and focus on the many aspects of the exhibit. The difficulty of creating worthy exhibition products of this scale cannon be over-estimated, but NMNH has achieved success in every important way: design, content, visitor attention and people flow, novelty, beauty. This is art and science, mystery and light, 21century technology coupled to stories of millennials past.


Time is needed to absorb what the curators, designers, educators, and scientists have provided. Several visits. Time at the site (on-line or in-house), the same kind of time we need to find about about the layers of our icons and our colleagues. Luscious.



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John Gurche's reconstructions of early humans on display in the Hall of Human Origins, National Museum of Natural History